
ARTICA WRITINGS
ARTICA WRITINGS 2024:
SVALBARD’S INTERNATIONAL COMMUNITY
Artica Svalbard’s Artica Writings series returns, focusing on the personal stories of international residents in Svalbard. Unlike many Arctic regions, Svalbard has no indigenous population, with its 2,500 residents representing over 50 countries. Recent changes in Norwegian policies, outlined in the Svalbard white paper, aim to make Longyearbyen more appealing to Norwegian families by improving housing and services. At the same time, voting rights for non-Norwegian residents in local elections are being restricted unless they have strong ties to mainland Norway. These changes signal a shift in Norway’s governance approach, aiming to reinforce its presence in the region while impacting Svalbard’s diverse international community.
Led by journalist Elida Høeg, known for her work on climate and migration, with photography by Ángel Valiente, the series explores how international residents navigate these evolving policies and cultural dynamics. The interviews took place in Longyearbyen at the end of 2024 and delve into the personal journeys, the challenges of adapting to Norwegian customs, and the broader implications of policy shifts. Coinciding with the centenary of the Svalbard Treaty, which upholds principles of shared access and equality, the essays culminate in a 2025 publication that offers an intimate and timely portrait of life in this unique Arctic community.
It was a friendly agreement that led the Australian Jason Roberts to move so far north. Along the beaches of Australia, he taught a Norwegian exchange student how to surf. In return, he was supposed to learn how to ski in Norway—if he ever made it there for a visit. And he did. After earning a degree in economics and working on the stock exchange in Australia, he traveled north. After spending a few years on the mainland, specifically in Kautokeino in Finnmark, he arrived in Svalbard in 1990.
Just before the pandemic shut down one place after another, Valeriya Burlachenko Mikhalskaya took the last scheduled flight from Moscow to Svalbard. She was going to work as a guide for tourists in the Russian mining town of Barentsburg. Valeriya had been hired by the state-owned company Trust Arktikugol to help develop its tourism operations. However, when COVID-19 spread and international travel halted, most tourists were unable to come.
"One always imagines Spitsbergen as a barren and silent frozen world—but that is a grave mistake," wrote the French traveller Léonie d’Audet in 1839. She was likely the first woman to visit the archipelago and believed she would also be the last. When d’Audet travelled to the Arctic with a research expedition, she encountered no other people. The noise she heard and described was the sound of breaking ice during the spring thaw. Even today, the archipelago is far from silent. But now, the sounds also include voices—voices from Longyearbyen’s diverse community. In this series, some of those voices are heard.
ARTICA WRITINGS 2023:
FOOD ON SVALBARD
by Nikhil Vettukattil
All my assumptions about Svalbard fell apart before I had even got off the plane. There are on average two flights a day from Oslo to Longyearbyen, which always make a stop in Tromsø, northern Norway. I knew Longyearbyen had a population of just under 2400, and I naively assumed the flights were operating out of some national necessity, seeing as the island of Svalbard is 400 miles north of the nearest Norwegian shore.
by Maggie Coblentz
Between field excursions to install new equipment on a nearby glacier, I return to my home in Longyearbyen, Svalbard, which I periodically convert into a research station filled with scientists, engineers, and artists. With my boots half-off, I tiptoe through a maze of pickle jars and field equipment to feed my sourdough starter. It has been passed down for eleven years and has more experience living in the Arctic than I.
by Samantha P. H. Dwinnell
For nearly 30 years, we have been following collared Svalbard reindeer, collecting more than their poop. We have been seeing where they go (with GPS-collars), how well they survive, and the number of calves they raise. We’ve monitored what parasites they carry, how heavy they are each spring, and how that changes with shifting conditions of Svalbard.
by Reidun Braathen and Even W. Hanssen
Little did Baltazar Mathias Keilhau know that in September 1827, he would make history when he collected his first mushrooms on Stans Foreland – what has since become known as Edgeøya (English: Edge Island). This was the beginning of human knowledge of and familiarity with fungi in the Svalbard archipelago.
In 2023, Artica embarked on a series of conversations about the complexities of food sustainability on Svalbard. This is not an easy discussion to navigate, given that our archipelago poses unique challenges—growing vegetables or finding 'locally grown' food is far from straightforward here. Our local food sources are sparse and highly seasonal. During the hunting season, licensed individuals can participate in a lottery to hunt reindeer, seal, and ptarmigan for personal use. In August, nature offers a brief window to forage for mushrooms and fish for cod. These activities are tightly regulated to preserve Svalbard’s delicate ecosystem, reflecting our commitment to wildlife conservation while acknowledging the limited availability of local food resources.
This collection of essays by invited artists, scientists, researchers, and enthusiasts, presents four distinct perspectives on food in Svalbard. It serves as a starting point to delve deeper into the intricate relationship between sustenance and sustainability in one of the world's most unique environments.
This essay series is available to buy in a limited edition book. If you are interested in receiving a physical copy of the book, they are available for only the cost of shipping. Click here for more info.

ARTICA WRITINGS 2022: RETURN TO NATURE? THE TRANSFORMATION OF A POST-COAL MINING LANDSCAPE
Lying at the head of Van Mijenfjord in the Norwegian archipelago of Svalbard, Sveagruva was one of the largest underground coal mines in Europe. In 2017, after almost 100 years of coal production, Store Norske Spitsbergen Kulkompani embarked on one of the most ambitious environmental projects in Norwegian history. Their goal - To end mining operations, remove all traces of mining activity and return the area to its natural state.
This year we are collaborating with LPO Arkitekter and UiT - The Arctic University of Norway, Academy of Arts, landscape architecture programme to commission new essays by leading experts from the Nordics in architecture, ecology, archaeology, history and the arts to discuss the Svea project and related issues.
This essay series is available to buy in a limited edition book. If you are interested in receiving a physical copy of the book, they are available for only the cost of shipping. Click here for more info.
By Thomas Juel Clemmensen, Professor, cand.arch. ph.d.
In 2019 I was responsible for a master's course in landscape architecture at the Academy of Arts in Tromsø. In this course dealing with landscape transformation, we worked with alternatives to the proposed mining reclamation or “clean-up” project at Svea, launched by the Norwegian Government in 2018.
By Cecilie Gro Vindal Ødegaard
In 2017, when the then-Minister of Trade and Industry Monica Mæland announced the decisions about Svea, she stressed that continued operations could no longer be justified due to low coal prices. The activities related to the clean-up and “returning to nature” would also give society time to adapt to the “changeover” – that is, the transition from coal mining to other energy sources and economic activities.
By Lars Erikstad and Dagmar Hagen, Norwegian Institute for Nature Research (NINA)
Svea is situated in the inner Van Mijenfjorden in the Svalbard archipelago, 78 degrees north in the Norwegian High Arctic. Svea has been a coal-mining settlement since 1917. Heavy infrastructure was developed mainly during industrial periods since 1970, including mines and supporting plans, heavy roads, an airstrip, harbour, coal storage areas, and residential areas.
By Ingvild Sæbu Vatn and Lilli Wickström, architects at LPO Arkitekter’s office in Longyearbyen
Four million tonnes of high-quality coal would roll over the red stacker annually during the Svea North mine’s peak production years. Throughout its 100-year history, Svea has had several ups and downs, and when the new Lunckefjell mine was ready to start production in 2015, the coal operation was put on pause.
ARTICA WRITINGS 2021: THE OCEANS
By Frank Nilsen
I have always been fascinated by the sea, its power and vibrancy, its teeming life forms, its undiscovered secrets, and the possibility of understanding and predicting its currents and upheavals.
By Holly Corfield Carr
Where the light pools on my desk, a shell—or what remains of a shell—wobbles as I write, wobbling the light. All but the last of its layers have disappeared.
By Dora Garcia
Finnegans Wake by James Joyce is a book that contains all books and a story that contains all stories. Multiple threads can be picked up to lead our way through the Wake maze. The one thread I would like to pick up now is one of the characters, Anna Livia, and the final chapter of the book, book IV.
By Philip Hoare
A long, long time ago, Olaus Magnus, for the benefit of his fellow bishops, filled the storm-racked northern seas with terrors. Monsters. They, and the ocean itself, were more tests of faith than actual animals or elements.
Inspiration for Artica Writings 2021 was the UN Decade of Ocean Science for Sustainable Development (2021 - 2030). This curated series of texts aims to influence critical thinking around our oceans and the urgent issues related to ocean health, knowledge and policy.
This essay series is available to buy in a limited edition book. If you are interested in receiving a physical copy of the book, they are available for only the cost of shipping. Click here for more info.
ARTICA WRITINGS 2020
By Ole Arve Misund, Director of the Norwegian Polar Institute
There are few places in the world where climate change is more noticeable than in the Arctic, which is warming twice as quickly as the rest of the world. In Svalbard, winter temperatures have risen significantly more than on the mainland (ca. 3° C vs. ca. 1° C) since 1900.
By Leif Magne Helgesen, Priest and author
“And it came to pass in those days ...” says the Gospel of St. Luke. That may appear to be a minor detail in what is one of the world’s most widely read stories, but it is important to place the story in the context of world history. Rooted in time. In the past.
By Randi Nygård
What can laws and natural resource management tell us about our relationship with nature and our surroundings? The name of the art project “Wild Living Marine Resources Belong to Society as a Whole” comes from Section 2 of the Norwegian Marine Resources Act.
ARTICA WRITINGS 2019
By Sergey Gushchin
On 9 February 2020 we mark the 100th anniversary of the Spitsbergen Treaty. This name for the archipelago, Spitsbergen, is fixed in the text and the title of the Treaty, so the Russian Federation prefers to adhere to the language of the Treaty by using this name.
By Daria Soldatova
At the start of the 20th century, there was a coal rush in Svalbard. Mining companies from many countries laid claim to large parts of Svalbard and started extracting coal. Norwegians, Englishmen, Americans and Swedes all took part in the rush.
By Sigri Sandberg
Day after day of sailing across vast oceans. Through cold winds, heading north, ever further north – and then finally something appears on the horizon: Mountains. Glaciers. Islands. Fjords. Land. Ice.
By Janike Kampevold Larsen
These days, when we get off a plane or a boat in Svalbard, we immediately get a powerful sense of the landscape – mountains, open sea, masses of sand, volumes of ice, and rock combine in a way that is unparalleled on the mainland.
By Kjetil Røed
I’m in Svalbard and on my way to see Oswaldo Maciá’s work of art A gift to Svalbard. After a half hour bus journey from Longyearbyen across a dark snowy plain, I detect the former mine at Vinkelstasjonen, where Maciá’s work of art is exhibited. Like an otherworldly stage or an exotic plant, it is weakly illuminated in reddish, pinkish hues against the dark blue Polar night.
By Vår Aunevik
I guess it all started at H&M in Tromsø.
Mum noticed that I was on my way, and maybe that’s the moment I developed my great interest in clothes and fashion. At H&M in Tromsø. Luckily I wasn’t born there; can you imagine if that had happened? Like: “Girl born in H&M”. No, that wouldn’t have been too popular, not with me, Mum, the customers or the employees.
By Professor Sven G. Holtsmark
After other foreign interests withdrew during the 1920s and 1930s, there were two states left with a big presence of businesses and citizens on Svalbard: Norway and Russia (the Soviet Union until 1991). That is still the case, although the Russian presence has become much smaller in the decades since the collapse of the Soviet Union.
By Geir Ulfstein, Professor of International Law
When the Svalbard Treaty was ceremoniously signed at the French Ministry of Foreign Affairs on 9 February 1920, no-one could have imagined that it would be invoked in favour of the Latvian snow crab fishery in 2019. But the Norwegian Supreme Court’s judgement on that case, issued on 14 February this year, illustrates that the treaty remains both highly relevant – and at times controversial.
By Marit Anne Hauan and Tora Hultgreen
Why do we lose sight of people and culture in the overall narrative about Svalbard? Climate change and environmental challenges have helped to give the Arctic and Svalbard a place in the global consciousness.
By Ole Robert Sunde
What can laws and natural resource management tell us about our relationship with nature and our surroundings? The name of the art project “Wild Living Marine Resources Belong to Society as a Whole” comes from Section 2 of the Norwegian Marine Resources Act.