Following an open call, we are pleased to announce that NAARCA’s Pedagogy Toolkit Commission has been awarded to Maraid Mcewan.

Artica and our key partner Norsk Faglitterær forfatter- og oversetterforening are very pleased to announce the nominated writers for 2024: Roald Berg, Endre Harvold Kvangraven and Ellen Viste

In 2023 we had the pleasure of welcoming 12 new residents to Artica: Maritea Dæhlin, Åse Kristine Tveit, Nabil Ahmed, Kristin Folsland Olsen, Rikke Luther, Yamile Calderón, Grace Ndiritu, Helene Sommer, Nikhil Vettukattil, Rafiki, Ruth Maclennan and Trine Hamran. It has been a joy to get to know each of them and their work and to share experiences together here on Svalbard. Read more about the 2023 residents here.

Er du mellom 14 og 20 år og interessert i å skrive om natur og miljø fra ditt perspektiv? Brenner du for Arktis og Svalbard? Har du lyst til å få innsidekunnskap fra skribenter og journalister som jobber i dag? Da er dette noe for deg!

How might a philosophy of repair change our approach to planning and architecture? Art Hub Copenhagen is NAARCA’s Danish partner, and the only member residency located in a major city. It opened in 2019 as a place for artists, curators and creative professionals to gather, network and collaborate.

Artica and our key partner Office for Contemporary Art Norway (OCA) are very pleased to announce the OCA nominated residents for 2024: Kamil Kak, Mhairi Killin and Natassja Simensky.

Artica and our key partner Queen Sonja Print Award are very pleased to announce the first round of nominated residents for 2024: Cathrine Alice Liberg, Ellen Hack and Januario Jano

At the start of 2023 Artica began the process of researching, developing, and implementing an environmental policy and action plan. There is a lot of ground to make up, but as an organisation based in the Arctic we are fully committed to being responsible and to sharing knowledge of successful (and sometimes unsuccessful) changes others might also find helpful.

At the start of 2023 Artica began the process of researching, developing, and implementing an environmental policy and action plan. There is a lot of ground to make up, but as an organisation based in the Arctic we are fully committed to being responsible and to sharing knowledge of successful (and sometimes unsuccessful) changes others might also find helpful.

Between field excursions to install new equipment on a nearby glacier, I return to my home in Longyearbyen, Svalbard, which I periodically convert into a research station filled with scientists, engineers, and artists. With my boots half-off, I tiptoe through a maze of pickle jars and field equipment to feed my sourdough starter. It has been passed down for eleven years and has more experience living in the Arctic than I.

It has been a busy and productive autumn session at Artica, from paper making to mono printing, film screenings, library talks, Lantern Lectures and quite sustainability workshops. We have enjoyed welcoming you all to the studio, seeing your creativity and hearing about your work.

What could it mean to decolonise art, and to use art as a tool for decolonisation?  Saari Residence is NAARCA’s Finnish partner. It’s located in Mynämäki, Southwest Finland, and maintained by Kone Foundation as a residence for artists of all disciplines and nationalities.

Trine Hamran is a freelance non-fiction writer and journalist from Tromsø, trained as a social anthropologist and has a master's degree in journalism. In her books, she has written about themes such as grief and death, cold war and espionage, trust and reconciliation.

We are very happy to share news from our Key Partner Nordnorsk Kunstmuseum, who return to Longyearbyen in November to open the new exhibition Our Arctic Archive at Nordover. Showcasing works by past Artica residents Ramona Salo Myrseth and Katarina Skår Lisa.

UNDER THE WEATHER presents 13 artists and writers thinking aloud about making art in the face of climate change. Artica resident Yamile Calderón took part in this project during her OCA nominated residency this summer.

Are you a member of NFFO and have a project related to the Arctic or the northern regions? Do you want to get inspiration for new projects? Do you translate Icelandic, Greenlandic, Danish, Sami, Swedish or Gaelic non-fiction? Or perhaps you need a writing stay in completely new surroundings in 2024?

What does “progress” mean in an age of climate crisis? Who should define it? And how can the process of defining it be made more inclusive and democratic? In this episode, Lise Autogena, an artist and founder of NIRS, outlines some of the tensions at play in Narsaq, and in Greenland more broadly.

We are very pleased to share a new printed version of the Artica Writings 2022 essay commissions, a collaboration with LPO Arkitekter and UiT - The Arctic University of Norway, Academy of Arts, landscape architecture programme.

This dark season we take inspiration from an age-old form of public event the Lantern Lecture – a form of diversion and education from the 1870s through the early 1900s. The magic lantern illustrated scientific lectures, entertainment, current events discussion, political campaigns, missionary fundraising, and humanitarian causes.

For nearly 30 years, we have been following collared Svalbard reindeer, collecting more than their poop. We have been seeing where they go (with GPS-collars), how well they survive, and the number of calves they raise. We’ve monitored what parasites they carry, how heavy they are each spring, and how that changes with shifting conditions of Svalbard.