CURRENT RESIDENTS

Ashley Middleton
Independently-Funded Residency Charlotte Hetherington Independently-Funded Residency Charlotte Hetherington

Ashley Middleton

In residence: August 2025 – April 2026

Ashley Middleton is an artist and researcher whose work explores the evolving relationship between the body, technology, and the environment. Working across installation, sound, video, and photography, she creates immersive experiences that integrate scientific inquiry with sensory perception. Guided by rhizomatic methodologies, embodiment practices, and a feminist phenomenological perspective, her projects investigate how attention, ritual, and intuitive knowledge shape ecological awareness.

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Mhairi Killin
Independently-Funded Residency Charlotte Hetherington Independently-Funded Residency Charlotte Hetherington

Mhairi Killin

In Residence: January - April 2026

Mhairi Killin is a visual artist from the Isle of Iona in the Inner Hebrides of Scotland. Working across drawing, print, sculpture, and film, her practice explores the fragile and interconnected relationships between land, sea, humans, and other beings, often challenging perceptions of islands as remote or marginal.

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Lilian Kroth
Independently-Funded Residency Charlotte Hetherington Independently-Funded Residency Charlotte Hetherington

Lilian Kroth

In residence: March 2026

Lilian Kroth is a researcher working at the intersection of philosophy, science, and aesthetic practice. Her work explores how the natural world is understood through concepts, scientific instruments, and visual methods, with a particular focus on climate, Earth observation, and remote sensing technologies.

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Thomas Abercromby
Independently-Funded Residency Charlotte Hetherington Independently-Funded Residency Charlotte Hetherington

Thomas Abercromby

In residence: March - April 2026

Thomas Abercromby is a visual artist and curator working across film, installation and socially engaged practice. Based between Oslo and the UK, his work explores how art can generate spaces for collective care and social imagination. Central to his practice is the use of scent as a structural and critical medium, employing olfactory experience to investigate memory, class, abolition, queerness and environmental precarity.

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